I don’t get to listen to music as much these days. When I was at school, I would have favourite CDs on repeat, studying or reading. However, perhaps I am beginning to re-live my youth, as I am starting to put CDs on repeat again, although it’s not exactly my idea.

The CDs are full of nursery rhymes or are by kids’ TV presenters. While these children’s CDs have simple melodies and the lyrics are easy to understand, they have an unfortunate tendency to get stuck in my brain for hours at a time. But I was pleasantly surprised by one CD we bought; it is a cut above the others.

Songs to make you smile

Surprisingly complex and enjoyable songs that will appeal to children

You may well scoff, but I am actually writing a review of a children’s album. Out of all of the various CDs we have to entertain our kids, this one is my favourite. So, what if it is songs by Justine Clarke, an ex-Home and Away actor and, more recently, Playschool presenter? The musical team behind her, primarily Peter Dasent and Arthur Baysting, have pulled off a wonder – a children’s album that does’t drive me out of my mind. In fact, I find myself humming or singing along.

The different songs on the album are from a variety of styles, with interesting instrumental lines and rhymes. The stand-out songs for me are the soft and sad Why Does The Baby Cry? and vaguely educational but fun Dinosaur Roar.

While bands like The Wiggles have mindlessly simple songs that are good for basic dancing, they don’t play well on repeat. It’s a relief (and lucky) to find music for children that I can also listen to.

Rating by andrew: 4.0 stars
****

Other suggestions for good children’s music will be gratefully accepted!

Tags: , , , , , ,

I think the last time I sung in a concert (where people paid actual money to hear it) was back in 2005, when we lived on the opposite side of the planet. I had begun to really miss having a musical outlet, and somehow I had managed not to end up in a choir, so what to do …

Start playing the flute again?

I learned the flute when I was at school, from year 6 through to year 12. During those 7 years, apparently I got to a half-decent level, since I received a music bursary to cover the payment of my music tuition (although, in hindsight, it might’ve been a scam to try to get more students into the choir and orchestra). But, in any case, putting in hours of practice every week for that many years must lodge some of it in the brain. Maybe even if it is about twenty years later.

So, in June, a friend mentioned that her orchestra might be interested in having another flautist around while one of theirs was on an overseas tour, and would I be interested in trying out for that. Would I? Yes!

It was to my astonishment and continual surprise that I was allowed to rehearse with the great bunch of people that is the Napier Community Orchestra all the way up to the concert that we performed today. Thank you to my fellow flutes (Belinda, Naomi) and oboe (Anne) for allowing me to come along, as rusty as I was.

It’s not like I hadn’t been doing anything musical for the last twenty years, and performing with choirs in the intervening time turned out to have really helped my sight-reading. Also, never underestimate the advantage a “mature age student” has over young students in self-directed learning.

Still, it was with a lot of excitement and perhaps even more terror, I sat down on stage this afternoon and played in a concert where, for the first time ever, I was the accompaniment to a choir. It was great, and I hope I get the opportunity to continue with it. Having a musical outlet is very satisfying.

If others out there in Internet-land are interested in opening that dusty flute case that they’ve had stashed under the bed and getting some music on, then I hope the information below will be of some use and encourage you to try getting into the flute again.

Playing the old instrument

If you’re like me, you’ll probably discover that your flute doesn’t quite hit all the notes as well as it used to, at least not without a lot of pressure on the keys. Unfortunately, while the metal parts of the flute are likely to survive well, the cork and pads can degrade. In particular, the pads can go hard over the years and then no longer seal the holes when you press on the keys. To fix this, I had to get my flute serviced, at a cost of a couple of hundred dollars.

You can get flute services at places like Wombat Woodwind & Brass or The Music Place. You can also speak to a flute teacher or the like for their recommendations.

Another thing I found was that, compared to when I was learning flute at high school, electronic tuners are now widely available at reasonable prices. I found it incredibly useful to practice my long notes with one in front of me to help me learn which notes I needed to adjust to keep in pitch. It was a real eye-opener.

You should be able to find something like the Temby Smart Tuner or Korg CA-1 in most music shops for $20-$30.

Another thing that I didn’t expect when I picked up the flute again is that my ability to assume the traditional flute playing posture (flute held out straight to the right) was not what it used to be. This made it harder to keep in pitch at the beginning.

You may also want to check out Jennifer Cluff who has some helpful info on returning to the flute.

Playing with a group

One of the things that Jennifer recommends in her link is finding a reason to play regularly, such as with a partner, with a teacher, or in a group. Since my opportunity to resume playing was based on playing with a group, that clearly helped me.

I had forgotten many aspects of playing in an orchestra. It was strange and interesting to rediscover them.

Firstly, there was the counting. In a choir, I had the music for other parts (or at least the accompaniment) to look at when I wasn’t singing. However, orchestral parts are full of rests. So, I had to learn to count again.

It reminded me of dancing, where you need to really learn the basic steps for your feet, so that they could unconsciously go at it while you focus on all the leading-following stuff. For the orchestra, I needed to be always tracking the beat and my count through the rests. It was something I’ve been working hard at, and can still improve.

Secondly, there was tuning. Again, I worked hard at this and can still improve. Learning how the different notes on my instrument needed to be adjusted up or down as I played them was extremely helpful. I also found marking that info on my score to remind me was also good for when the playing got intense.

I’ve come across some fascinating information on the physics of flutes by the University of NSW that helped me understand the finer aspects of flute tuning. I’m not sure if it was helpful, but I like to have the background knowledge.

Lastly, it was amazing when all the different parts came in together, but it was also very distracting and made it difficult to hear if the instrument was behaving (over/underblowing, etc.). I think the brass section knows exactly how distracting and loud they are, but what can they do – they’re brass. This, in particular, made playing in a rehearsal (or performance) very different to playing at home for practice. I really had forgotten this. Practicing against a recording of the piece helped me deal with this somewhat. I think repeated exposure at rehearsals will help more.

However, playing your flute with a group is only possible if you can find a group. It sounds like there aren’t so many in the northern / western suburbs of Melbourne, so here are the ones that I have heard about. Of course, they require different levels of proficiency to join, but may be a useful place to start. In no particular order:

If you give it a go, all the best!

Tags: , , , , , , , ,

This is brilliant, and you NEED to check it out right now. Microsoft Research has produced software for your computer called Songsmith that automagically generates synthesised accompaniment to songs that you sing into it. Or, more amusingly, to famous songs that you play into it. There are a number of these now cropping up on YouTube, and someone called Tim has produced most of the good ones so far. Here are a couple of my favourites: a techno version of Oasis’ Wonderwall and a latin version of Roxanne by The Police. Enjoy!

YouTube Preview Image YouTube Preview Image

Tags: , , , , ,

I saw this clip on a friend’s Wall in Facebook, but I’ve stolen it and put it here instead. It took me back to my carolling days when, during the 1,000th rendition of O Little Town Of Bethleham you could easily forget what verse you were meant to be singing. Except these guys are doing the 12 Days Of Christmas, and a couple of others besides. And they have talent!

YouTube Preview Image

The other cool thing is that I’ve actually sung Africa in a choir too.

Tags: , , , , ,